Back to NewsSupport sustainable innovation in opera and dance
Outdated browser
Roadshow 2019 - La Monnaie / De Munt © Huge Segers i
La Monnaie/De Munt Roadshow 2019
Details
17 March 2019
Brussels / Belgium
Roadshow
PUSH Roadshow © Hugo Segers i
The FEDORA Platform was presented on the occasion of the dernière of PUSH
dedicated mainly to families. Young artists and a young audience were invited
for an introduction that explains this community project as well as the values of the FEDORA Platform and its mission to support educational projects in the field of the performing arts.
‘My life has been nothing but miracles…’, the Holocaust survivor and Brussels
resident Simon Gronowski told Howard Moody after the premiere of Sindbad at
La Monnaie. That encounter was the starting signal for Push, which is based on
Gronowski’s story. In 1943, he was taken from the Dossin Barracks and put on a
train for Auschwitz. Thanks to his mother, who pushed him off the train, he was
able to escape. But Push is more than a miraculous war story. It transcends the
historical facts and resonates with the experiences of prisoners and refugees past
and present: ‘our lives in one bag’. Howard Moody, an extraordinary bridgebuilder
both as a composer and a conductor, fills his opera with a message of hope
inspired by Gronowski’s words: ‘I wanted to live in the present and the future,
in optimism, joy, and friendship’. For this production, Moody once again brings
together professional musicians and amateur performers – both adults and
resident Simon Gronowski told Howard Moody after the premiere of Sindbad at
La Monnaie. That encounter was the starting signal for Push, which is based on
Gronowski’s story. In 1943, he was taken from the Dossin Barracks and put on a
train for Auschwitz. Thanks to his mother, who pushed him off the train, he was
able to escape. But Push is more than a miraculous war story. It transcends the
historical facts and resonates with the experiences of prisoners and refugees past
and present: ‘our lives in one bag’. Howard Moody, an extraordinary bridgebuilder
both as a composer and a conductor, fills his opera with a message of hope
inspired by Gronowski’s words: ‘I wanted to live in the present and the future,
in optimism, joy, and friendship’. For this production, Moody once again brings
together professional musicians and amateur performers – both adults and
children – in a unique theatrical experience.
/
© Hugo Segers i
Roadshow 2019 - La Monnaie / De Munt
© Huge Segers i
Roadshow 2019 - La Monnaie / De Munt
© Hugo Segers i
Roadshow 2019 - La Monnaie / De Munt
© Huge Segers i
Roadshow 2019 - La Monnaie / De Munt
© Hugo Segers i
Roadshow 2019 - La Monnaie / De Munt
© Hugo Segers i
Roadshow 2019 - La Monnaie / De Munt
© Hugo Segers i
Roadshow 2019 - La Monnaie / De Munt
© Hugo Segers i
Roadshow 2019 - La Monnaie / De Munt
© Hugo Segers i
Roadshow 2019 - La Monnaie / De Munt
© Andres Lubbert i
Roadshow 2019 - La Monnaie / De Munt
© Hugo Segers i
Roadshow 2019 - La Monnaie / De Munt
Discover other stories
Roadshow, Platform Members
Croatian National Theatre in Zagreb
Croatian National Opera in Zagreb Roadshow 2024
21 June 2024
Zagreb / Croatia
The Croatian National Theatre in Zagreb Opera Gala Week - Scolarship holders of the Opera concert
Read more
Roadshow
Freunde und Förderer der Staatsoper Unter den Linden .V.
Freunde und Förderer der Staatsoper Unter den Linden Roadshow 2019
03 June 2019
Berlin / Germany
This year's Roadshow event took place during the annual general assembly that provides the members an exclusive look behind the scenes and into the work of the Staatsoper Unter den Linden.
Anna Schwanhäusser presented the vision and mission of the FEDORA Platform and the event culminated with a performance o young musicians supportet by the Friends and Patrons.
Roadshow
Nationaltheater Mannheim
Nationaltheater Mannheim Roadshow 2019
03 May 2019
Mannheim / Germany
"The opera is a beautiful tower - but unfortunately without a staircase."
With this picture, the Mannheim opera dramaturgy describes the problem of an art form that is one of the most complex in our cultural landscape - and therefore usually attracts a theatrically experienced, educated, long-established audience. But how do newcomers get to the tower?
