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Roadshow 2018 - Freunde und Förderer der Staatsoper Unten den Linden © Phil Dera i
Freunde und Förderer der Staatsoper Unter den Linden Roadshow
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05 June 2018
Berlin / Germany
Roadshow
On the occasion of its General Assembly on June 5th, our Platform Member, Freunde und Förderer der Saatsoper Unter den Linden, presented the FEDORA Platform. This General Assembly provides its members an exclusive look behind the scenes and into the work of the Staatsoper Unter den Linden. The projects and events of the Friends were also announced on this occasion.
Freunde und Förderer der Staatsoper Unten den Linden Roadshow © Phil Dera i
Freunde und Förderer der Staatsoper Unten den Linden Roadshow © Phil Dera i
Freunde und Förderer der Staatsoper Unten den Linden Roadshow © Phil Dera i
Freunde und Förderer der Staatsoper Unten den Linden Roadshow © Phil Dera i
Freunde und Förderer der Staatsoper Unten den Linden Roadshow © Phil Dera i
Discover other stories
This year's Roadshow at Teatro alla Scala took place on the occasion of theroundtable "Die Tote Stadt - femme fatale fra reincarnazione e desantificazione" (Die Tote Stadt - femme fatale between reincarnation and desantification). Organised by Franco Pulcini, the conference took place in the Ridotto dei Palchi "Arturo Toscanini" before the première of Erich Wolfgang Korngold's opera "Die tote Stadt".
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Roadshow
Associazone Arena Sferisterio
Associazione Arena Sferisterio Roadshow
10 May 2018
Macerata / Italy
On May 9th and 10th, our Platform Member Associazione Arena Sferisterio organised a series of concerts and initiatives to promote the FEDORA Platform and the Macerata Opera Festival in cooperation with the Municipality, the University and the Festa dell'Europa (European Festival).
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Roadshow
Nationaltheater Mannheim
Nationaltheater Mannheim Roadshow 2019
03 May 2019
Mannheim / Germany
"The opera is a beautiful tower - but unfortunately without a staircase."
With this picture, the Mannheim opera dramaturgy describes the problem of an art form that is one of the most complex in our cultural landscape - and therefore usually attracts a theatrically experienced, educated, long-established audience. But how do newcomers get to the tower?
