Birmingham Royal Ballet Roadshow 2019

Back to News

Details

14 June 2019

Birmingham / United Kingdom

Roadshow

The roadshow, led by Birmingham Royal Ballet, incorporated a morning of training and professional development followed by an opportunity to see work focussed on Children and Young People.

During the morning, best practice in working with young people with disabilities and skills for working with that community were discussed. The training was led by BRB’s Education Manager, Lee Fisher, along with the company’s exceptional Freefall Dance Company, made up of participants with profound learning disabilities.

Along the training, attendees learned more about the Fedora Platform, the Education Prize and discussed the opportunities to engage.

Following the training the participants were invited to watch Birmingham Royal Ballet’s production of First Steps: Peter and the Wolf, which is aimed at a young audience and is accessible to families. First Steps is BRBs programme of works aimed at children under the age of 9 as a first introduction into the magical world of classical ballet.

Discover other stories

Oper Leipzig

Platform Members, Roadshow

Oper Leipzig

Sustainability at Oper Leipzig

31 July 2025

Leipzig / Germany

Sustainability behind the scenes: Oper Leipzig shows how ecological and social responsibility can take shape in everyday theatre life.

Read more
IMG_4874

Platform Members, Roadshow

Kyiv National Academic Operetta's Theatre

Opera Europa Next Generation Audition Recital of Emerging Artists

30 July 2025

Kyiv / Ukraine

Kateryna Yasenchuk and Oleksandr Kyreiev represented the Kyiv National Academic Operetta's Theatre at the Opera Europa Next Generation Audition Recital of Emerging Artists.

Read more
Roadshow 2019 - Nationaltheater Mannheim

Roadshow

Nationaltheater Mannheim

Nationaltheater Mannheim Roadshow 2019

03 May 2019

Mannheim / Germany

"The opera is a beautiful tower - but unfortunately without a staircase."

With this picture, the Mannheim opera dramaturgy describes the problem of an art form that is one of the most complex in our cultural landscape - and therefore usually attracts a theatrically experienced, educated, long-established audience. But how do newcomers get to the tower?

Read more
Hand_with_heart_-_white

Support sustainable innovation in opera and dance

Outdated browser

For a better experience,
keep your browser up to date.

Learn more