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Teatro Real - Capriccio © Javier del Real i
Teatro Real Roadshow 2019
Roadshow
This year's Teatro Real's Roadshow was celebrated the day of the general rehearsal of the opera Capriccio by Strauss.
During this special evening, the young members of the Friends of Teatro Real were invited to attend a presentation by Marisa Vázquez-Shelly about the vision and mission of the Fedora Platform.
After an 8 year absence of Richard Strauss, the new co-production of Capriccio is also the premiere at the Teatro Real of the Bavarian composer’s last opera. The staging is by celebrated Christof Loy and the musical direction is by an expert in Strauss, Asher Fisch. Capriccio is Strauss’s answer to the question which has pursued opera as an art form since its very beginning: Which is of more importance? Music or text? Coming from a composer of such harrowing tragedies as Salomé or Elektra, it is astonishing to discover an exquisite comedy which synthesizes his musical language in an exercise of brilliant harmonies and textures.Discover more about this new co-production on Teatro Real's website.
Platform Members, Roadshow
Poznań Opera House
30 July 2025
Poznan / Poland
The "Early Spring Ballet" festival at Poznań Opera House celebrated innovative choreographic works by emerging and established artists, alongside guest performances and educational events.
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Freunde und Förderer der Staatsoper Unter den Linden .V.
03 June 2019
Berlin / Germany
This year's Roadshow event took place during the annual general assembly that provides the members an exclusive look behind the scenes and into the work of the Staatsoper Unter den Linden.
Anna Schwanhäusser presented the vision and mission of the FEDORA Platform and the event culminated with a performance o young musicians supportet by the Friends and Patrons.
Roadshow, Platform Members
Royal Swedish Opera
20 September 2024
Stockholm / Sweden
Since the 18th century, the Royal Swedish Opera has upheld the tradition of masquerade balls. Now, they invite you to a splendid evening focused on celebrating the future of the Opera House and its art form.
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