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La Fabrica - Festival d'Avignon © Julia Gat i
Second Week of Rehearsals at La FabricA, Festival d'Avignon
Details
30 April 2018
Avignon / France
STORY WATER
Jury Nominee, FEDORA Prizes
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© Julia Gat i
La Fabrica - Festival d'Avignon
© Julia Gat i
La Fabrica - Festival d'Avignon
© Julia Gat i
La Fabrica - Festival d'Avignon
© Julia Gat i
La Fabrica - Festival d'Avignon
© Julia Gat i
La Fabrica - Festival d'Avignon
© Julia Gat i
La Fabrica - Festival d'Avignon
© Julia Gat i
La Fabrica - Festival d'Avignon
© Julia Gat i
La Fabrica - Festival d'Avignon
© Julia Gat i
La Fabrica - Festival d'Avignon
© Julia Gat i
La Fabrica - Festival d'Avignon
© Julia Gat i
La Fabrica - Festival d'Avignon
© Julia Gat i
La Fabrica - Festival d'Avignon
© Julia Gat i
La Fabrica - Festival d'Avignon
© Julia Gat i
La Fabrica - Festival d'Avignon
© Julia Gat i
La Fabrica - Festival d'Avignon
© Julia Gat i
La Fabrica - Festival d'Avignon
© Julia Gat i
La Fabrica - Festival d'Avignon
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FEDORA Artists Series, FEDORA Prizes, Jury Nominee, Nominee
Sadler's Wells Theatre
Meet the creators behind REBOOT!
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Artists are still creating in these challenging times. Listen to Aoi Nakamura and Esteban Lecoq in this interview dedicated to them and their next creation, REBOOT, nominee of the FEDORA Digital Prize 2020.
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Jury Nominee
Stiftung Staatstheater Augsburg
rehearsal with patronage societies
10 October 2022
Augsburg / Germany
The expectation for »Erwartung« is rising. Members of our patronage societies meet general music director Domonkos Héja and soprano Sally du Randt and get a taste of Arnold Schönberg's opera during a rehearsal.
Die Erwartung auf »Erwartung« steigt. Unsere Förderer und Unterstützer, die Theaterfreunde, treffen GMD Domonkos Héja und Sopranistin Sally du Randt und bekommen bei einem Probenbesuch einen Vorgeschmack auf die Oper von Arnold Schönberg.
Jury Nominee
Stiftung Staatstheater Augsburg
Media keep covering "Erwartung"
20 October 2022
Augsburg
German media outlet "Bayerischer Rundfunk" visited us the other day to witness our orchestra perform "Erwartung" for the 3D audio recording. They write:
"For the ultra-real listening experience, the 3D sound of the VR game, the Augsburg Philharmonic Orchestra recorded the music at a concert hall in Augsburg. A square iron frame hovers above the orchestra, specially made with a 3D printer and equipped with numerous microphones. The orchestra itself is also teeming with microphones."
All this hard work of the audio department and the orchestra will integrate seamlessly into the VR game at the end. Read the whole article here:
https://www.br-klassik.de/aktuell/news-kritik/oper-wird-digital-schoenbergs-monodram-erwartung-als-vr-spiel-am-staatstheater-augsburg-100.html
