Support sustainable innovation in opera and dance
Outdated browser
La Fabrica - Festival d'Avignon © Julia Gat i
Second Week of Rehearsals at La FabricA, Festival d'Avignon
Jury Nominee, FEDORA Prizes
/
© Julia Gat i
La Fabrica - Festival d'Avignon
© Julia Gat i
La Fabrica - Festival d'Avignon
© Julia Gat i
La Fabrica - Festival d'Avignon
© Julia Gat i
La Fabrica - Festival d'Avignon
© Julia Gat i
La Fabrica - Festival d'Avignon
© Julia Gat i
La Fabrica - Festival d'Avignon
© Julia Gat i
La Fabrica - Festival d'Avignon
© Julia Gat i
La Fabrica - Festival d'Avignon
© Julia Gat i
La Fabrica - Festival d'Avignon
© Julia Gat i
La Fabrica - Festival d'Avignon
© Julia Gat i
La Fabrica - Festival d'Avignon
© Julia Gat i
La Fabrica - Festival d'Avignon
© Julia Gat i
La Fabrica - Festival d'Avignon
© Julia Gat i
La Fabrica - Festival d'Avignon
© Julia Gat i
La Fabrica - Festival d'Avignon
© Julia Gat i
La Fabrica - Festival d'Avignon
© Julia Gat i
La Fabrica - Festival d'Avignon
Jury Nominee
Emanuel Gat Dance
23 January 2018
Avignon / France
A preview of the first week of rehearsals at the FabricA, Festival d'Avignon in January 2018.
For six days, the 12 dancers reunited with Emanuel for the very first steps of the creation process!
Three new dancers joined the company for this piece: TingAn Ying, Zoé Lecorgne, and Arnaud Bacharach.
At this occasion, only on the second day, the group has opened the studio to more than 300 people for an open rehearsal, followed by workshops and events.
Jury Nominee
Stiftung Staatstheater Augsburg
20 October 2022
Augsburg
German media outlet "Bayerischer Rundfunk" visited us the other day to witness our orchestra perform "Erwartung" for the 3D audio recording. They write:
"For the ultra-real listening experience, the 3D sound of the VR game, the Augsburg Philharmonic Orchestra recorded the music at a concert hall in Augsburg. A square iron frame hovers above the orchestra, specially made with a 3D printer and equipped with numerous microphones. The orchestra itself is also teeming with microphones."
All this hard work of the audio department and the orchestra will integrate seamlessly into the VR game at the end. Read the whole article here:
https://www.br-klassik.de/aktuell/news-kritik/oper-wird-digital-schoenbergs-monodram-erwartung-als-vr-spiel-am-staatstheater-augsburg-100.html
FEDORA Prizes, Jury Nominee
Sadler's Wells Theatre
21 October 2020
Take a sneak peek at AΦE's latest research and development for REBOOT. We cannot wait to experience this amazing creation !
Read moreSupport sustainable innovation in opera and dance
