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Karajan Music Tech Conference
Industry News
The Karajan Music Tech Online Conference will take place online on Friday April 3rd. If you are an artist, music startup, streaming service, classical music festival, web & communications agency or simply a creative mind then you should attend this conference.
This event is a great opportunity to connect you and your business with the future of music entertainment. Register here for free and get the chance to attend conferences such as "Digitizing Scores: unlocking the Classics", "Cultural Institutions, Ecology and Urbanism: Where Are We Headed?", "Composing with AI", and many more exciting topics.
In the course of the conference, our expert partner IMZ International Music + Media Centre will host an IMZ Academy Session on the topic of "Innovation and Creativity - digital in the performing arts". Mr Peter Maniura, Director of the IMZ Academy and Chair of the Jury of the FEDORA Digital Prize, and Katharina Jeschke, IMZ Secretary General and Jury member of the FEDORA Digital Prize, will present the nominees of the first edition of the FEDORA Digital Prize.
The FEDORA Digital Prize is supported by Kearney and encourages digital innovation on and beyond the stage.
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Industry News
Gentleman Jack Nominated for Excellence in Touring at the UK Theatre Awards 2026
07 October 2026
Congratulations to Gentleman Jack, winner of the FEDORA – VAN CLEEF & ARPELS Dance Prize 2025, on its nomination for the Excellence in Touring Award at the UK Theatre Awards 2026!
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Industry News
Sharon Eyal Wins Best New Dance Production at the Olivier Awards for "Into the Hairy"
12 April 2026
London / United Kingdom
A powerful new milestone marks the artistic journey of Sharon Eyal, winner of the FEDORA – VAN CLEEF & ARPELS Prize for Ballet 2017 for her striking work Love: Chapter 2, as her latest creation, Into the Hairy, wins Best New Dance Production at the prestigious Olivier Awards 2026, a distinction that further affirms her singular voice at the forefront of contemporary choreography.
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In the January 2026 issue of Opéra Magazine, the article "L’opéra frappe les trois coups de l’IA" by Jean-Marc Proust highlights a striking trend: artificial intelligence is no longer a supplementary tool, but a central driver of creative experimentation in opera and live performance.
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