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Stage Director
Franciska Éry © i
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Séisme immersive installation on the main stage of the Opéra Comédie - © concept visualisation by Gergely Virághalmy (All rights reserved)
Audience walking on the interactive floring, reading Jean Mary's poetic libretto © concept visualisation by Gergely Virághalmy (All rights reserved)
The happening of the earthquake © concept visualisation by Gergely Virághalmy (All rights reserved)
A deaf school boy attending a concert in Montpellier, wearing a Subpac vibrating jacket. © Audrey Brahimi - Opéra Orchestre national Montpellier Occitanie
Franciska was born in Budapest and grew up in Stockholm and Moscow. After receiving her First Class BA in English and Drama from Queen Mary University of London and her Masters with Distinction in Performance Making from Goldsmiths University of London, she started working as a freelance theatre director and performance maker, creating work in London venues such as the Cockpit, Hoxton Hall, Above the Arts Theatre, The Bunker and the New Diorama. In recent years she has worked with the National Opera Studio, Fulham Opera, the Royal Academy of Music, Opera Holland Park, Longborough Festival Opera and the Royal Opera House. She directed the UK debut of Gounod's La Nonne Sanglante with Gothic Opera, which won the London OffWestend award for Best Opera Production. Currently she is part of the directors course on the Royal Opera House's Jette Parker Young Artist Programme lead by Elaine Kidd and Katie Mitchell, and she is an Artist in Residence at Montpellier National Opera.
target reached € 5,572
Jury Nominee
Opéra Orchestre National de Montpellier Occitanie
15 November 2021
Montpellier / France
In residence at the Opera Orchestra, director Franciska Éry, composer Alexander Ho and poet Ar Guens Jean Mary imagine the immersive and interactive opera opus "Séisme" (in english earthquake), a conversation between humans and the Earth, and invites reflection on the means of preserving it. Inspired by the poetry of Jean Mary, who explores the impact of earthquakes on communities, director F. Éry and composer A. Ho dissect the stages of an earthquake to reconstruct the different stages of formation as structure of an immersive and interactive opera.
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