Back to NewsSupport sustainable innovation in opera and dance
Outdated browser
Die Tote Stadt - Teatro alla Scala © Marco Brescia & Rudy Amisano i
Teatro alla Scala Roadshow 2019
Details
28 May 2019
Milan / Italy
Roadshow
After last year's event that celebrated the maestro Claudio Abbado, Teatro alla Scala presented the roundtable "Die Tote Stadt - femme fatale fra reincarnazione e desantificazione" (Die Tote Stadt - femme fatale between reincarnation and desantification). Organised by Franco Pulcini, Editorial Director at Teatro alla Scala, the conference took place in the Ridotto dei Palchi "Arturo Toscanini" on the occasion of the première of Erich Wolfgang Korngold's "Die Tote Stadt".
Three exceptional panellists discussed a lyrical masterpiece that was often left out by the greatest opera’s tradition, yet worth to be brought back to stage. Professor Marco Modenesi from the University of Milan, music critique and musicologist Giangiorgio Satragni and psychoanalyst Luigi Zoja were able to examine Korngold’s artwork through an interdisciplinary approach ranging from literature and composition to psychology.
“Die Tote Stadt"’s story stems from Georges Rodenbach's novel Bruges-la-Morte, translated first in a theatrical version, Le mirage, and finally in the four-handed libretto written by Eric Korngold and his father Julius, an authoritative music critic at the time, under the pen name of Paul Schott. In the passage from the novel to the play, two characters are added (the protagonist's friend and his housekeeper) together with a dream scene in which the dead wife appears to the man. But it is in the transition from the play to the libretto that the dream aspect predominates in two of the three parts of the work”. Renato Verga for Backtrack
Therefore, "Die Tote Stadt" appears like an oneiric opera: in a dreamlike atmosphere, a psychic theatre is created, where the characters represent the different elements of the author’s psyche. As a result of this Teatro alla Scala’s Round Table, “Die Tote Stadt” proves indeed to be a majestic work, the object of an interdisciplinary symposium between specialists from different fields.
To learn more about “Die Tote Stadt” at Teatro alla Scala, click here .
/
© Marco Brescia & Rudy Amisano i
Die Tote Stadt - Teatro alla Scala
© Marco Brescia & Rudy Amisano i
Die Tote Stadt - Teatro alla Scala
© Marco Brescia & Rudy Amisano i
Die Tote Stadt - Teatro alla Scala
© Marco Brescia & Rudy Amisano i
Die Tote Stadt - Teatro alla Scala
© Marco Brescia & Rudy Amisano i
Franco Pulcini
© Marco Brescia & Rudy Amisano i
Die Tote Stadt - Teatro alla Scala
© Marco Brescia & Rudy Amisano i
Die Tote Stadt - Teatro alla Scala
Discover other stories
Platform Members, Roadshow
Opéra Orchestre National de Montpellier Occitanie
Opéra Orchestre National Montpellier Roadshow 2022
22 June 2022
Montpellier / France
Back in Montpellier, the trio in residence formed by director Franciska Éry (Hungary), composer Alex Ho (United Kingdom) and poet Ar Guens Jean Mary (Haiti) meet for a second creative workshop of their interactive opus project: Séisme.
Read more
Roadshow, Platform Members
Nationaltheater Mannheim
Nationaltheater Mannheim Roadshow 2024
19 June 2024
Mannheim / Germany
The Mannheim Summer, a "European festival for music and theatre from Mozart to the present day".
Read more
Roadshow, Platform Members
Ópera do Castelo
Opera do Castelo Roadshow 2024
21 June 2024
Lisboa / Portugal
The Operafest 2024 Lisboa & Oeiras led by soprano Catarina Molder and produced by Ópera do Castelo, crossing tradition and vanguardism, is back for it's fifth edition in new incredible venues to enjoy exciting opera for everyone!
Read more
