Support sustainable innovation in opera and dance
Outdated browser
Die Tote Stadt - Teatro alla Scala © Marco Brescia & Rudy Amisano i
Teatro alla Scala Roadshow 2019
Roadshow
After last year's event that celebrated the maestro Claudio Abbado, Teatro alla Scala presented the roundtable "Die Tote Stadt - femme fatale fra reincarnazione e desantificazione" (Die Tote Stadt - femme fatale between reincarnation and desantification). Organised by Franco Pulcini, Editorial Director at Teatro alla Scala, the conference took place in the Ridotto dei Palchi "Arturo Toscanini" on the occasion of the première of Erich Wolfgang Korngold's "Die Tote Stadt".
Three exceptional panellists discussed a lyrical masterpiece that was often left out by the greatest opera’s tradition, yet worth to be brought back to stage. Professor Marco Modenesi from the University of Milan, music critique and musicologist Giangiorgio Satragni and psychoanalyst Luigi Zoja were able to examine Korngold’s artwork through an interdisciplinary approach ranging from literature and composition to psychology.
“Die Tote Stadt"’s story stems from Georges Rodenbach's novel Bruges-la-Morte, translated first in a theatrical version, Le mirage, and finally in the four-handed libretto written by Eric Korngold and his father Julius, an authoritative music critic at the time, under the pen name of Paul Schott. In the passage from the novel to the play, two characters are added (the protagonist's friend and his housekeeper) together with a dream scene in which the dead wife appears to the man. But it is in the transition from the play to the libretto that the dream aspect predominates in two of the three parts of the work”. Renato Verga for Backtrack
Therefore, "Die Tote Stadt" appears like an oneiric opera: in a dreamlike atmosphere, a psychic theatre is created, where the characters represent the different elements of the author’s psyche. As a result of this Teatro alla Scala’s Round Table, “Die Tote Stadt” proves indeed to be a majestic work, the object of an interdisciplinary symposium between specialists from different fields.
To learn more about “Die Tote Stadt” at Teatro alla Scala, click here .
/
© Marco Brescia & Rudy Amisano i
Die Tote Stadt - Teatro alla Scala
© Marco Brescia & Rudy Amisano i
Die Tote Stadt - Teatro alla Scala
© Marco Brescia & Rudy Amisano i
Die Tote Stadt - Teatro alla Scala
© Marco Brescia & Rudy Amisano i
Die Tote Stadt - Teatro alla Scala
© Marco Brescia & Rudy Amisano i
Franco Pulcini
© Marco Brescia & Rudy Amisano i
Die Tote Stadt - Teatro alla Scala
© Marco Brescia & Rudy Amisano i
Die Tote Stadt - Teatro alla Scala
Experience Opera and Ballet Online, Platform Members, Roadshow
Opéra de Lille
16 February 2024
Lille / France
Opéra de Lille has been working on PROjecteur métiers, a miniseries of videos presenting the different professions existing in the Opera industry.
Read morePlatform Members, Roadshow
Theater Magdeburg
20 June 2023
Magdeburg / Germany
Unerhört is a project led by Theater Magdeburg enabling children and teenagers to discover what theatre and opera are all about. During one week, students were able to try out different forms of theatre activities by attending seven workshops, from singing to drama and dance.
Read moreRoadshow
Operadagen Rotterdam
13 March 2019
Rotterdam / Netherlands
This year's Roadshow took place in the context of the annual Kick-off meeting during which Operadagen Rotterdam presented the complete programme of the 2019 festival edition.
Guy Coolen, the artistic director, introduced this year's theme and presented the content of the festival programme comprising contemporary, innovative, and ground-breaking productions, created by young and established makers from all over the world.
The evening was also an occasion to present some of the major talents and leading-edge makers that will be at the core of this year's programme.
Support sustainable innovation in opera and dance
