FEDORA - SIMULACRO

About the project

Drawing on the theory of Jean Baudrillard, SIMULACRO explores a present saturated with signs, screens, and simulations, where truth no longer disappears - it was never there to begin with. The work opens not with a linear narrative but in a roundabout: a circular space of repetition, disorientation, and suspended time. There, bodies no longer act but react - echo, trace, interference. In this fragmented landscape, choreography becomes a dislocated, nonlinear flow of gestures and impressions. Each movement is a doorway to another interface, another layer of meaning or illusion. In place of traditional structure, SIMULACRO presents a fractured reality in which perception is filtered, time collapses, and the body becomes both signal and ghost. The work mirrors the deeper ruptures of our age: the disintegration of self, time, and truth in a world governed by invisible algorithms and endless digital feedback loops.

Emerging artists

Beyond its philosophical and aesthetic depth, SIMULACRO is also a platform for emerging artists. Kor’sia integrates young performers into the full creative process - not just as dancers, but as co-creators. Through tailored mentorship and collaborative exchange, these artists are encouraged to contribute actively to the development of the piece. Their participation is not symbolic; it is central to the work’s evolving form. By engaging with SIMULACRO’s conceptual landscape and choreographic language, they gain crucial performance experience within a highly visible, international production. In doing so, the project becomes both an artistic investigation and a springboard for the next generation of voices in contemporary dance.