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Jury Nominee

You can submit your answers until April 30th to the following address faristamo.eller@concert.ee.
The correct answers will be published after May 1st.

Prizes: the fastest 5 people with correct answers will be invited to the dinner after the show on November 2019 in Tallinn with the cast!

1. What is the name of the series that features the performance in Estonia?

a. Subconscious Games
b. Technology and Music
c. #MyClassics

2. What is the name of Tarkovsky’s son, who is running a foundation named after his father in Italy?
a. Artur
b. Anton
c. Andrei

3. Which of these cities will the show play in?
a. Genoa
b. Riga
c. Vilnius

4. Which means of communication do Eesti Kontsert producer Heili Vaus-Tamm and author Thomas Desi use in urgent situations?
a. Phone
b. Facebook
c. Skype

5. Which of these films is not by Andrei Tarkovsky?
a. Andrei Rublev
b. Voyage
c. Nostalghia

6. Who has said about Tarkovsky:

"My discovery of Tarkovsky's first film was like a miracle. Suddenly, I found myself standing at the door of a room the keys of which had until then, never been given to me. It was a room I had always wanted to enter and where he was moving freely and fully at ease. I felt encountered and stimulated: someone was expressing what I had always wanted to say without knowing how. Tarkovsky is for me the greatest, the one who invented a new language, true to the nature of film, as it captures life as a reflection, life as a dream."

a. Marcello Mastorianni
b. Ingmar Bergman
c. Ennio Morricone

7. Tarkovsky’s connection with Tallinn
a. the film “Stalker” was partly shot in Tallinn
b. Tarkovsky spent his last years in Tallinn
c. Tarkovsky studied in Tallinn

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"For the ultra-real listening experience, the 3D sound of the VR game, the Augsburg Philharmonic Orchestra recorded the music at a concert hall in Augsburg. A square iron frame hovers above the orchestra, specially made with a 3D printer and equipped with numerous microphones. The orchestra itself is also teeming with microphones."

All this hard work of the audio department and the orchestra will integrate seamlessly into the VR game at the end. Read the whole article here:

https://www.br-klassik.de/aktuell/news-kritik/oper-wird-digital-schoenbergs-monodram-erwartung-als-vr-spiel-am-staatstheater-augsburg-100.html

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