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Denis & Katya © Opera Philadelphia i
From the Press "Unconventional new opera Denis & Katya challenges the ear, the eye, and the soul"
Winners, FEDORA Prizes
THE PHILADELPHIA INQUIRER: Opera Philadelphia’s Festival O19 opens with game-changing world premiere Denis & Katya
September 19, 2019
“Opera Philadelphia opened its Festival O19 Wednesday on a level that eclipsed the expectations created by the unusually high success rate of past festivals, this time with the world premiere of Denis & Katya. Highly experimental in its manner, the piece exudes great confidence of purpose plus gritty, thoughtful artistry — in the spirit of O19’s commitment to making opera a distinctly 21st century thing.”
MUSICAL AMERICA: Philadelphia’s O19 gets underway with with the brilliant Denis & Katya
September 20, 2019
“Not only is Venables’s newest creation the most brilliantly original operatic work I’ve seen in a decade, it’s a sensitive, subtle, and deeply questioning meditation on youth, voyeurism, and the age of social media.”
OPERA NEWS: Denis & Katya
September 18, 2019
“Miller's luminous personal timbre and Hoffman's wide-ranging plangent security and exceptional diction complement one another; both artists call on affecting emotive coloration and keen dynamic shading”
BROADWAY WORLD: The world premiere of Denis & Katya at Opera Philadelphia
September 19, 2019
“Each piece of Denis & Katya is impeccably thought out … There has not been a piece of theater that has made me think so deeply in a very long time.”
OPERA TODAY: Edgy, Haunting Denis & Katya
September 20, 2019
“Composer Philip Venables and Librettist Ted Huffman’s unsettling, unconventional new opera Denis & Katya challenges the ear, the eye, and the soul to accept a wholly new hybrid form of operatic expression.”
PARTERRE BOX: Total Ellipse
September 21, 2019
“What I really want to leave you with is the sense that this is an important, out-of-the-box work, superbly performed. Denis & Katya deserves to have a long afterlife, and with luck, it will.”
“In addition to their beautiful voices, Miller and Hoffman display something perhaps even rarer: a sense of complete ease and comfort onstage, while at the same time bringing laser-like focus to the drama.”
On Friday 30 September, on the occasion of the RESEO Conference 2022 in Paris, the three teams leading the FEDORA Education Prize-winning projects came together to discuss social impact and successes...
Read moreFEDORA Prizes, Winners
19 September 2023
London / United Kingdom
On 19 and 20 September 2023, Hannah Conway had the opportunity to present The Sound Voice Project, winner of the FEDORA Digital Prize 2023, at the ITEAC 2023 - International Theatre Engineering & Architecture Conference.
Read moreGraham Vick CBE, Artistic Director of Birmingham Opera Company received Knighthood in New Year honours.In 1987 he founded the Birmingham Opera Company (of which he remains Artistic Director), recognised as one of the most pioneering companies for the development of opera as a 21st century art form...
Read moreSupport sustainable innovation in opera and dance